
BIOGRAPHY
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Greenville’s enigmatic composer, and sound sculptor SAKI BOMB makes a textured, gauzy music blend of sounds ranging from experimental electronic, ambient, IDM, to warped trip hop, abstract pop and even drum n' bass. The result is something completely organic and fresh sounding. Like a mix of Mogwai's luscious soundscapes, the melancholy of likes of Burial, Massive Attack, M83, Radiohead and How to Destroy Angels, laced with hints of dub, R&B, techno and shoegaze/drone are blended into a dense and evocative style that sounds quite unlike anything else.
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The German born producer, now located in the Southeastern US, is known for unique audio/visual live performances, liberated from the stigma of the “button pusher” or laptop musician. SAKI BOMB often integrates analog gear like the modular synthesizer, drum machines, groove boxes, percussion, the bagpipes and reverb drenched guitar loops into etheric soundscapes and moving tracks. He isn’t afraid to explore unknown or even experimental, musical territories, as he perfectly blends analog haze and digital gloss, reflecting on his mastery of production, sound design and composition work, inviting the listener into a timeless world of experimental, electronic, ambient music with a "pop" edge. Composed of manipulated samples, ambient textures, warm synth tones, dub echoes, and trip-hop rhythms, SAKI BOMB is as well suited for lost Sunday afternoon day dreams, as for underground club shows.
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SAKI BOMB has self-released an entire catalog of EPs and singles since 2010 through his Bandcamp site and performed across the South Eastern USA, including Nophest 2013, 2018 (Atlanta), TEDx 2012 (Greenville) Drone Fest 2 (Clemson) and FutureFest 2017 (Columbia). His music has been featured on My Old Kentucky Blog (SIRIUS/XMU Blog Radio), WSBF 88.1, WFMU 91.1 and WUSC 90.5 College Radio. Snippets of field recordings, deconstructed IDM, ambient techno, guitar loops, bagpipes, modular synth, and gracefully scattered trip hop drum machine beats, sculpt the music that is SAKI BOMB.











